Sunday, October 26, 2008

Science Fiction - Reading assignment thoughts

The Science Fiction and Fantasy chapters were the hardest for me to understand - I had to read them twice carefully. I also thought they were the most poorly written chapters in the Text.
SF
I noted Joyce Saricks list of SF appeal factors, which hve a "twist" due to SF. She notes storyu line, frame and frame shows some uniqueness one example was time travel. Pacing was interesting -- author can use slower pacing to create the texture and ambience of another time. In SF the imaginary setting (another world, etc) is a major character in the story - so setting may be a stronger appeal factor than often weak characterizations in SF

Diversity in SF can lead to idea-oriented or adventure-oriented stories so this would be a great difference to focus on when talking with customers. How important is a fast-paced story, are you challenged by the science in the story and is scientific credibility important to you . . . As scientific discoveries and breakthroughs occur, new scientific sub-genres are born: ex. nanotech stories. So you may have readers with an interest in one type of science but not another. I think you'd have to be wary of people that might have one view or another of ethical issues related to science - the book I read describes human genetic engineering for example.

The Text made me aware of the diversity of sub-genres and this list will be useful to consult in the future for RA or displays.

Fantasy
That fantasy is a way not only to enjoy stories of an alternative world but to the reader may be a way of learning how to look inward was a slant I hadn't thought of.
Readers who like a powerful story line, use of imaginative imagery and details about this other world will enjoy fantasy. Magic and enchantment are often components in fantasy. Readers look for an "internally consistent world" Text suggested raders are examining humanity's place in an often threatening (real)world. I wonder how conscioulsy Fantasy readers are aware of such an examination.

Sounds like fantasy readers are attracted by setting - especially detailed setting, plots that include magic are attractive and storyline is important. I'm not sure how critical character is to the fantasy reader. Again, there are many sub-genres. And will the Harry Potter phenomena mean a fantasy boom for decades - have younger readers developed a lifelong love of fantasy?



Kept these questions to think about for our own library: We only break out SF.
Science Fiction and Fantasy - our online RA lesson this week is SF and Fantasy.
In your libraries, do you shelve SF and Fantasy as one GENRE collection?
do you shelve Each as their own Genre-- each is its own GENRE collection -- so there is a SF collection and a separate Fantasy collection?
or do you have a SF GENRE with Fantasy shelved in Fiction or any other configurations out there?

How does your arrangement work for the customer and for staff? What's positive about your arrangement or how would you change it?

Have other libraries that have Genre collections chosen not to have a combined SF/Fantasy genre collection nor a separate SF and/or Fantasy genre designation? SF and Fantasy in Fiction only.

Are some libraries considering a change based on the current growth in fantasy literature and readership?

Share your thoughts as a librarian or reader--what is the most customer-friendly shelving arrangement?

Literary Fiction - In Search of a Definition

Our class had a discussion about what literary fiction is and the "code words" we might hear from readers --the words they use to ask for or describe literary fiction. I believe our class is made up of working librarians - maybe all in public libraries but I'm not sure.

Here was my definition for literary fiction, which was one of our questions after reading The End of Literary Fiction by Robert McCrum and a brief synopsis from Joyce Sarick's book. My reply I see a tie-in with the word literature. I studied literature in high school and college and was assigned to read the "classics" of literature. Won't some of the titles we describe as literary fiction become the classics from the 20th and 21st centuries? I can accept a definition of Award-winning books or Saricks' description of often character-centered, provocative, complex or multi-layered literature and the reader's enjoyment of prose or writing style. For example, I can remember reading Middlemarch in college and, even with its length, going back and re-reading sentences or paragraphs just for the beauty of the language. But, of course, I accept that there are good and bad books labeled as literary fiction (even award winners) that turn people off and cause such books to be labeled pretentious. I, too, would be turned off by affected prose such as "furious dabs of tulips stuttering" which McCrum cites. ((My apologies to the author - this may be a very fine book - don't have a citation to the book)

This edited comment from one of the classmates, summed up many classmates' reaction:
I must admit, being a contemporary fiction/romance reader, it took me a little while to get into it. But once I started I just had to keep reading to find out what happened next. It was a moving story and I am glad I read it. Would I read another? Maybe some time in the future.

"I always considered literary fiction to encompass both the classics and the award winners. Works ranging from Theodore Dreiser, Joseph Conrad, and Virginia Wolfe to Toni Morrison and Ian McEwan among others. These are the "serious" reads that don't fall into a particular genre. Many would consider these books intellectual; you have to actually think while reading. The plots and characters are well crafted and complex. These are the books one brags about reading and suggests for book clubs."

Another classmate commented: "At this point I don't have a solid definition for what literary fiction is. As I see in other posts here, we tend to feel that it tends to fall outside of the genre categories we've discussed so far. There is often some focus on the writing or on some literary features.

And from another: "I would define literary fiction as what would fall outside the defined genres of mystery, romance, etc., and would be more writer-ly and serious, though not necessarily on a serious subject. The focus of the book would be on characters, style, and depth, rather than page-turning action."

Another's observation: "Other than the cover, I think one of the more physical characteristics is the number of words on a page - - in some of the latest James Patterson books I've looked at, the margins and font are verge large and the text seems to be double spaced - - in literary fiction it seems more often the complexity of the story is represented by more words per page. . . though this idea probably can't be backed up by data. "


Several people mentioned that literary fiction seems to be fiction outside defined genres but there is still a huge number of fiction books that aren't genres or literary fiction so what do we call those books - fiction (by default)??????

So, anyone reading this, if you have a better sense of literary fiction or a definition or checklist of qualifiers, please share. Are there colleges with courses in literary fiction that offer a definition or list of authors?

Or a blogger who would suggest their favorite work(s) of literary fiction?

It seems as if none of us in the class are literary fiction readers on a regular basis although we read quite a lot in genres. Why is that? Lack of interest, lack of time, stay within our comfort zone of mysteries or romances, etc.? Hard to find these titles? And what about our public? Can our fast-paced, less-text based, shorter attention span or faster absorption rate (commercials several seconds shorter than they were in the past) mean we're unwilling or unable to devote the time to literary fiction or length or complexity is too different from other media? Or am I way off base - I've looked at no statistics/research about the readership of literary fiction, publishing data . . . . So, am I predicting the death of literary fiction RA too soon or out-of-ignorance? And, I'm not being snobbish since I don't read a lot of literary fiction titles.

I think it would help if our library offered book discussions to get us more used to picking meaty, complex works to discussion. And, BTW, we have a fantastic READ section within Wisconsin Library Assoc. and there are many fine members who write reviews and articles, offer book discussions and book talks. So, I and others should take advantage of our opportunities to see the best in action at WLA conferences.


Our second question was: What do you think some of the code phrases/words are for a customer who really is looking for lit fic? People will ask for award winners and many are more specific - come in with a list and refer to Booker or Pulitizer, etc. just as other people come in with the latest picks in People Magazine. People have used words like "serious" fiction, academic fiction, something to keep me interested, something I can dig into. Others ask what's on the best-seller list, what's a book everyone is talking about, ask about or have a list from NPR, an author they've seen on TV, does X author have a new book out, what would be a good book to read, what would be a good choice for our book club, what good fiction is out there, etc. <> Or, people say, I spent the summer reading light fiction and I'd like something heavier/more challenging for the winter. . . . Or, I enjoyed this books so much, what is similar

some of my classmates wrote:
The key words I would use for literary fiction would be serious, award winning, deep, thoughtful and complex. Another added critically-acclaimed
Another: "Patrons might ask for something more "serious" or, in my library, "not a paperback" (based on the way things are shelved, indicates not a massmarket paperback and by extension the authors that are issued in massmarket paperbacks) - - the biggest hint I've found is by asking what authors they like and what they like about books - - if they give more abstract qualities or can't give any qualities at all, I find it frequently an indicator of the more literary fiction."

Welcome to Fiction Boutique

At this stage, I'm using Fiction Boutique as a journal for a readers' advisory course I'm taking in Wisconsin. I'm a public librarian. So, you'll see comments geared to our weekly online assignment. Each week we cover a fiction genre or related information.